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As in Peter Greenaway's The Baby of Macôn, he is using extreme imagery for polemical purposes.
The alleged war criminal General Mladic has never been arrested.
The memory of Slobodan Milosevic hasn't been exorcised.
There is a feeling of nihilistic self-loathing that runs through the film.
In some eyes, after the Balkan wars of the 1990s, Serbia is still a pariah state.
He tapped me on the shoulder and said I need to go.